Fall 2009 Evolution, Diversity and Change
FILM SERIES - (D)evolution Double Features
Sunday, September 13, 2009
Showtime: 7:00 p.m.
Where: Woodburn Hall (Room 120)
Planet of the Apes: Somewhere in the universe there must be something better than man. In a matter of time, an astronaut will wing through the centuries and find the answer. He may find the most terrifying one of all on the planet where apes are the rulers and man the beast.
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The Incredible Shrinking Man: Victim of weird mist ! Day by day he shrinks! Science is baffled! Cat becomes monster! Terror at every turn! Deadly spider attacks! Lost in a flood's fury!
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Sunday, October 4, 2009
Showtime: 7:00 p.m.
Where: Woodburn Hall (Room 120)
Night of the Living Dead: The dead come back to life and eat the living in this low budget, black and white film. Several people barricade themselves inside a rural house in an attempt to survive the night. Outside are hordes of relentless, shambling zombies who can only be killed by a blow to the head. .
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Shaun of the Dead: When the dead walk the earth, a hero rises... from his sofa!
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Sunday, November 1, 2009
Showtime: 7:00 p.m.
Where: Woodburn Hall (Room 120)
The Wild Child: 1798. In a forrest, some countrymen catch a wild child who can not walk, speak, read neither write. The Doctor Itard is interested by the child, and starts to educate him. Everybody thinks he will fail, but with a lot of love and patience, he manages to obtain results... This is a true story.
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The End of August at the Hotel Ozone: A team of wild, man-hungry women roam the earth in search of sperm to create the next generation after the world is nearly destroyed by a catastrophic war.
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Sunday, December 6, 2009
Showtime: 7:00 p.m.
Where: Woodburn Hall (Room 120)
The Fly: Something went wrong in the lab today. Very wrong. Be afraid. Be very afraid. HALF MAN, HALF INSECT...TOTAL TERROR!
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Decasia: The film is a meditation on old, decaying silent films and is similar in spirit to Lyrical Nitrate. It begins and ends with scenes of a dervish and is bookended with old footage showing how film is processed. Some of the deterioration was enhanced with computers to create more meaningful abstract imagery in the manner of Stan Brakhage. Nothing was done to the actual film prints, most of which were borrowed from facilities such as the Museum of Modern Art, to accelerate their decomposition.
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